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Christian

I'd be willing to bet that part of quality difference came from you doing the post processing on the digital stuff instead of someone else.
We all let the color separator do the work when it was slides, but now that it's digital we can get the image we want (and hope the press holds to it). Now surely digital alone explains some quality difference, but I also think if you had scanned and adjusted all the film work you would also see some boost in quality.
Christian

Doug Plummer

Well, that would be ideal, wouldn't it. There are budgets, and post-production work by me wasn't in it. I did get to tweak some of the full page digital shots, but otherwise all the digital shots were printed from the jpgs(!)I submitted to the client. Which still looked great, surprisingly.

David Adam Edelstein

Really interesting to hear that the difference was that strong. Not entirely surprising, I suppose -- we've all been seeing how digital has no grain at all and so forth. But the midday sun shot surprises me. Now I'm more sure about wanting to upgrade my 10d to a 5d when those come out.

Bruce Nall

I have had similar experiences. I provided both scanned film files and digital capture files for a recent book project. I have had several more years of experience doing pre-press on scanned film files so I know the scanned files were good. The files from digitally captured images I provided reproduced much better. Comparing the two, I was disappointed in the film images even though I have been happy with how the files reproduced in the past. The digitally captured images were much, much better.

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